LOL man.never forget white people did nothing first neither the best, they sleep and eat false propaganda,
Ugh, why the shit does that have to turn into a race thing? Why does EVERYTHING have to turn into a race thing?
because white people have made sure that everything is about race
as proved by the fact that when you say explorer, you think of a bunch of white guys walking the world and discovering it ~exotic wonders~ even though Zheng He travelled through Asia, to the Middle East, and even East Africa. But you’d likely never heard of him before.
Same reason you never heard of Ahmad Ibn Fadlan, an Arab traveller who, as early as the 10th century, went to the Volga area for diplomatic reasons. He wrote about it, much as Marco Polo would do later for his own travels, and is one of our sources on what viking were like (and by all accounts, he wrote about them more accurately than western scholars of the same period did)
Oh, or Ibn Battuta who travelled throughout Africa long before europeans did, and even went to Europe himself.
And that’s just some example of Muslim medieval travel writers
Everything is about race because white people keep telling everyone that their race is the only one who every got anything done.
You know what I like, and feel is so important? That he doesn’t say “Men thinks those are THEIR positions”. He says “We think those are OUR positions.”
As a male feminist, he still doesn’t exclude himself from the group of men.
Ibeyi, made up of Cuban-born, Paris-based twin sisters Naomi and Lisa-Kaindé Díaz, is an electronic doom soul duo who are forging a new spiritual sound with their debut EP Oya. The 19-year-old musicians are XL Recordings‘ newest signees, and their introductory singles “Oya” and “River” possess a hypnotic blend of hip-hop, electronica, and blues infused with Yoruba prayers and folk songs that will transport you to a higher realm upon first listen.
Singing in French, English, Spanish and Yoruba, Ibeyi count among their primary influences Nina Simone, Meshell Ndegeocello, James Blake and their late father, the celebrated Cuban jazz percussionist Miguel “Anga” Diaz. Ibeyi’s vocal range, which wavers from the raspy and wraith-like to the sonorous and divine, is ideal for their sonic palette which revels in the phantasmagorical groove of liturgical Yoruba songs. Besides singing in Yoruba–which was brought to Cuba by West African slaves–Ibeyi honor their father’s legacy and Afro-Cuban heritage through their percussive production and use of live instruments. Beatsmith Naomi plays both the cajón and the batá while Lisa-Kaindé remains more in tune with the musical mythos of Ibeyi’s sound by weaving Yoruba lore deeply into their lyrics. “River” is dedicated to the goddess Oshun (the mother of the Ibeyi, and their first single and EP are both named for Oya (the benevolent orisha who took the Ibeyi in after Oshun was accused of witchcraft for birthing twins and kicked them out).
“I was seven when Walder Frey persuaded my lord father to give my hand to Emm. His second son, not even his heir. Father was himself a thirdborn son, and younger children crave the approval of their elders. Frey sensed that weakness in him, and Father agreed for no better reason than to please him. My betrothal was announced at a feast with half the west in attendance. Ellyn Tarbeck laughed and the Red Lion went angry from the hall. The rest sat on their tongues. Only Tywin dared speak against the match. A boy of ten. Father turned as white as mare’s milk, and Walder Frey was quivering.” She smiled. “How could I not love him, after that? That is not to say that I approved of all he did, or much enjoyed the company of the man that he became… but every little girl needs a big brother to protect her. Tywin was big even when he was little.” She gave a sigh. “Who will protect us now?”
A game of forgotten ladies: Genna Lannister
Teachers are often unaware of the gender distribution of talk in their classrooms. They usually consider that they give equal amounts of attention to girls and boys, and it is only when they make a tape recording that they realize that boys are dominating the interactions. Dale Spender, an Australian feminist who has been a strong advocate of female rights in this area, noted that teachers who tried to restore the balance by deliberately ‘favouring’ the girls were astounded to find that despite their efforts they continued to devote more time to the boys in their classrooms. Another study reported that a male science teacher who managed to create an atmosphere in which girls and boys contributed more equally to discussion felt that he was devoting 90 per cent of his attention to the girls. And so did his male pupils. They complained vociferously that the girls were getting too much talking time.
In other public contexts, too, such as seminars and debates, when women and men are deliberately given an equal amount of the highly valued talking time, there is often a perception that they are getting more than their fair share. Dale Spender explains this as follows:
“The talkativeness of women has been gauged in comparison not with men but with silence. Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.”
In other words, if women talk at all, this may be perceived as ‘too much’ by men who expect them to provide a silent, decorative background in many social contexts."
Every EVERY women’s studies class I’ve been in has had this problem and failed to address it.